From my first solo gig supporting Piko Cloud Booker and Mein Haus at Paper Dress Vintage in London on April 20th 2017. Featuring a 30min single track containing the whole set performed that evening which featured a number of Sanguine Hum solo arrangements, plus tracks from Retrieval and Suite for Piano and Electronics.
Thanks to Andrew Booker for asking me to play.
Soundboard recording by Will Tanday. Additional camera audio sound by Spike Worsley.Thanks to both!
(cover image still from Spike's video of the gig)
Pieces Performed:
At the Gate
In Code*
Phosphor*
Just a Prelude
Desolation Song*
Crystalline
Suite Part 4
Unreleased Piece
No More Than We Deserve^
Suite Part 9
Son Of Bassoon
Suite Part 8
credits
from Live In London,
released April 4, 2020
All pieces composed by Matt Baber except*^
Baber & Winks create a unique listening experience that can be described as a visually evocative and cinematic journey, swinging between moments of luminous sound and intense aural collages. Matt Baber
supported by 15 fans who also own “April 20th 2017”
Ah, why didn't I buy this earlier? Has been on my wishlist since it's release and Bad Elephant Music's sampler and ongoing sales campaign luckily triggered the buy.
Tags given are post-progressive and post-rock, but the music feels much lighter than I usually associate with those tags. Quite song-oriented, indeed. Great music, great vocals. Carsten Pieper
supported by 15 fans who also own “April 20th 2017”
I'm a recent Sanguine Hum convert and I can't believe it's taken me until now to discover them! This is a simply fabulous album. If you're a Steven Wilson, Anathema or even a Gentle Giant, Jellyfish or Hatfield and the North fan, get yourself a copy. Great musicianship, wonderful melodies, superb voice, top songwriting. John Ferguson